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It is a key to understanding the story being told by U2.
‘Sunday Bloody Sunday’, featuring Larry on single snare, leads into a powerful ‘Raised By Wolves’.
Frankly, this technological marvel was a bit of a conundrum.
It didn’t detract from the songs hymnal quality and you can sense that there is potential there for future marvels. The show really began with the second song, ‘The Blackout’. In contrast, ‘Lights Of Home’ stood out from the first listen – the band perform it on the main stage, Bono climbing up along an incline of lights, through the screen, to reach the other end, carried along by The Edge’s slide guitar.
Back to Willie Williams and The Edge: they both insisted during the week that the show is not some piece of musical theatre.They don’t so much break the fourth wall as crumple it up and throw it out the window.The political message of ‘Pride’, that the American dream is still alive despite the rise of the idiots, the shams and the hucksters currently occupying the presidential office in the US, might have been seen as a risky gambit in such a pro-Trump state, but the audience don’t seem to mind. ‘Get Out Of Your Own Way” and ‘American Soul', performed in front of a huge stars and stripes are stronger than on record, all rock ’n’ roll bustle and power.Still with i NNONCE, the section which joins ‘Cedarwood Road’ and ‘Song For Someone’ features the same images of Bono’s childhood neighbourhood that featured in the last show.It remains uniquely powerful, and the lyric “a heart that is broken, is a heart that is open” speaks to Bono’s conviction that his mother’s tragic, early death made him that artist.