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Many of the best films on this list – long-gestating triumphs such as In the Mood for Love or Spirited Away – were in development in the Nineties; others, now in production, will only see the light of day in a few years time.

More than that, some of the key trends of the past 10 years – the DVD boom, faster broadband, You Tube – mean that today’s film fans have been watching, legally or illegally, movies from a bygone age.

Big studios have continued to focus on blockbusters and franchise-fare to boost their profits. Documentaries – intimate (Être et Avoir), epic (the nine-hour West of the Tracks) and idiosyncratic (The Gleaners and I) – have flourished, in part because of cheap digital technology, but also because that genre is given increasingly short-shrift on television.

This hasn’t always been bad – the Bourne and Lord of the Rings trilogies are terrific fun – but it’s striking that artistically successful, award-winning features such as There Will Be Blood and Milk have under-performed at the box office: how sombre they must seem to audiences weaned on Pirates of the Caribbean and Spider-Man. Animation – from the reliable Pixar stable to the Israeli Waltz with Bashir – has moved mainstream.

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